Summoning Ch41

Last time on Summoning, Derek is a werewolf. More importantly, someone’s about to discover Chloe and in short order, that the other two escaped.


Chloe, to my surprise, actually has a plan. She smears dirt on her face, musses her hair and clothes and stumbles out of the bushes trying to put on Derek’s shoe. The punishment for making out with Derek is just getting yelled at by her aunt, after all. Derek can run if they try to transfer him, and as long as Simon finds his father someone will come back to help them.

“Derek? Is this his?” I cast a surreptitious glance over my shoulder, into the bushes, drawing her attention there. “I—I haven’t seen Derek since dinner. Is h-he out here, too?”
“Oh, I’m sure he is. Long gone, I suppose, with Simon and Rae. Making their escape while you stand guard and provide a diversion.”

Well shit.

Unfortunately Chloe’s used up that moment of intelligence.

“Wh-what?” That time the stammer wasn’t faked. “E-escape? N-no. Derek and I were …” I gestured at the bushes. “He knew the code so we came outside to be alone and . . . you know.”

Chloe let me explain to you about lying.

If you were really making out with Derek, and lying about it, and someone accused you of something totally different that also would, upon being checked, turn out to be obviously not true so you have nothing to worry about, you would not respond to that by admitting to the thing you were lying about.

Good responses include boggling at her, asking what she’s talking about, “Simon and Rae? But she said she hated him-” and pretty much anything other than immediately confessing to something more minor.

Another good response is “Derek I changed my mind, get me over the fence!”

Dr. Gill demands to know what the ghosts told her.

“Did they tell you his secrets? His discoveries? I’ll make sure no one knows you ran away. I’ll say I found you asleep in the TV room. Just tell me everything those ghosts said.”

Seriously, now is time for Derek and crippling. You’ve got a werewolf, use it.

Luckily Derek’s more on the ball.

Dr. Gill only had time to see a shadow passing over her. She turned, mouth opening. Derek landed right in front of her. Her arms flew up, and she let out a shriek, falling back, but she was still in mid-turn and tripped over her own feet. As she went down, she fumbled for something in her pocket. Derek dove and pinned her arm as she pulled out a two-way radio. It flew onto the grass. Her skull smacked into the cement pad.
I ran forward. Derek was already crouching at her side, checking her pulse.
“She’s fine,” he said, exhaling with relief. “Just unconscious. Come on. Before she wakes up.”

Once again – being knocked unconscious is not harmless! Derek is welcome to feel relief he didn’t accidentally kill her, but no one with a passing knowledge of human anatomy would ever be saying “fine, just unconscious” like this.

You know, what the hell was Gill’s plan, anyway? If they knew she was a necromancer the whole time and wanted to know about Lyle’s experiments, why spend their time punishing her every time she tried to do ghost stuff? Unless Gill only realized when she found the reburied bodies, but the problem with that is it requires Chloe to be there by accident, when we’ve been assuming the concentration of supernatural kids means they’re being deliberately collected there. And Gill was promising to lie about Chloe being outside – so is Gill the only one who knows about Lyle? Because otherwise she and the others should all be in agreement about wanting to know this stuff.

Also, why didn’t Gill try to talk earlier in a less threatening manner? The first thing Chloe would have learned from the ghosts is the horrible experiments on people like her part, which if she was anyone other than the dumbasses that populate this book, would have led to her assuming that anyone interested in those experiments might plan to do the same to her. She and Gill are supposed to meet daily. Gill could easily have requested to talk to her privately and tried to weasel it out of Chloe back then.

Anyway, they run. Sirens start after crossing two yards. I guess Gill woke up fast.

After a moment, I said, “Dr. Gill knows about the bodies. When I raised them, she must not have been holed up in her office like we thought. She knows I can contact the dead, and about Samuel Lyle, and—”
“Later.”

Uh, Derek was right there, he should have heard the whole conversation.

I guess you could read this as Chloe forgetting that fact and Derek meaning they’ll talk about what to do with this knowledge later, but very sloppily written if so.

“A werewolf.”
I tried to say it casually, but I wasn’t sure I succeeded. I didn’t want to sound freaked out because that was exactly what he expected—why he hadn’t told me the truth. I told myself it was no different than being a necromancer or a sorcerer or a half-demon. But it was.

How, exactly? Does the author just have some phobia of werewolves that she’s expecting the rest of us to share? They’re just big dogs! Zombie apocalypse girl and demonspawn are higher on my personal list of worries. Seriously, one’s half wolf and the other one is half the incarnation of evil and torture.

As the silence stretched, I knew I should say something. If he’d told me he was a half-demon, I’d be peppering him with questions, and when I didn’t now, my silence damned him as something different than us, something less natural, something . . . worse.

No really, what the fuck. Can anyone make sense of this?

Anyway, Derek says that the change wasn’t supposed to happen until eighteen, despite the fact that eighteen is an arbitrary number that our culture happened to pick for partial adulthood and it’s a ridiculous coincidence it’d match up with anything else’s actual development.

Anyway, they keep going.

This chapter had action but a closer look shows plot deserted us after the opening. There’s the revelation that actually, Gill and maybe the whole place knew Chloe was a necromancer, but the rest of this is just rehashing what we already know – Derek’s a werewolf, Derek’s super-strong, Derek wasn’t expecting to change so soon. And even the revelation is pretty watered down by now. I’ve been yelling at Chloe to get the hell out for chapters now. Most of the shock of the comment comes from Gill admitting it so baldly, but it’s been the likely option for some time now.

Well. We’re finally approaching the end of this abomination of literature. I promised Gemma next, though I think I’ll be doing several chapters at a time, and then perhaps a summation of the other two books for this series if my loathing meter goes down enough to handle it, and at some point WWZ. And, of course, January will be a month of hate on the subject of the Pokemon category.

I should probably reopen the poll. You people evidently have awful, awful taste, but I wanted to do this one as well, so clearly we’re both failures at book picking. Vote for something with worldbuilding this time, though.

14 Comments

  1. Veracs says:

    Hm… If you haven’t read them already, Neverwhere, American Gods or anything by Neil Gaiman would be pretty decent.

    Otherwise, Bridge of Birds might be okay (I hear a lot of good things about it, but personally I didn’t like it all too much).

    Keys to the Kingdom (another Garth Nix book – he has this thing for boring protagonists but cool worldbuilding) is decent as well, assuming you haven’t read that series either.

    Black Dogs by Ursula Vernon would be interesting (I got the feeling that she had all these ideas for different scenes and then she wrote some other stuff in there to tie it together and called it plot, but it was a fun ride nonetheless), assuming you can find a copy that isn’t ridiculously expensive.

    1. Farla says:

      I’ve read Neverwhere. Gaiman’s stuff has never really clicked for me – it’s good but there’s just something off.

      I haven’t read Keys. As to Black Dogs, for my sanity I’m only going with stuff that’s available in computer form for easy copy-pasting, so if it’s anything hard to find I probably can’t do it.

      1. Veracs says:

        I’ve noticed that sorta off quality too.

        I think it’s because he leaves “gaps” in his writing where he probably didn’t think out how everything would work logically. Not in a bad way, but in a way that sort of says, this is fantasy, fuck logic, fuck rules, fuck common sense. I want a man to have a magic dream dimension where he can control everything and have Cain killing Abel for all of eternity and if that fucks with reality then so be it. What repercussions does it have on everything else? THAT’S A MYSTERY AND I’M NOT GOING TO TELL YOU.

        1. Igloo says:

          I’ve found personally Gaiman’s prose to be wonderful, his characters to be likeable although usually dull, and his plot to be flat at some parts, nonsensical in other parts. Then again, I’ve only read a few of his works, so what would I know?

        2. Farla says:

          I feel like what he has works well with comics, but it doesn’t work for prose so much? It’s hard to say why.

  2. Kigombo says:

    Temeraire has a lot of world-building, although most of it is just showing how dragons!! made the world different than in real history. The books tend to drag, though.

    1. Farla says:

      See, I hear the thing with Temeraire is that it’s got more race/culture stuff, which isn’t my forte. I am a great fan of dragons, though.

  3. Fool says:

    You could try The Name of the Wind. It’s a fairly popular fantasy book that’s a bit polarizing. From what I’ve heard about it, it has an interesting magic system.

    1. Farla says:

      Heard the first part as audiobook, loathed it enough I didn’t get further.

  4. C.C. says:

    Some other people suggested Graceling, a book where people with different color eyes have some super-special talent, and Wither, which takes place in a future where girls die at 20 and guys at 25 and wealthy people kidnap 13-16 year olds to try and keep the population alive.

    Of course, I may just be biased and glad others pointed these out, since I read and disliked both. I’d like to see you rip ’em a new one. But from the sounds of things, you’d like to do something a little less painful.

    1. Farla says:

      Well, there’s painful and then there’s painfully boring. I’m much more in favor of things I can hate over stuff like Summoning, which is a wall of boredom.

    2. actonthat says:

       I did a little research on both of these for a project at work, and they both seemed bad in the more “full of cliches but serviceable writing” way that you may find more interesting.

      1. Farla says:

        That does sound promising.

  5. Rachel says:

    Ciaphas Cain’s novels from the Warhammer 40K universe? I hear it has some interesting world building.

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