“And for your final question, it’s because humans are boring. You get nothing from them. What can we do? Just point a knife at someone and yell to get what we want? Why be boring like that? Nobody wants to read a story with nothing special going on and you know that. So before you criticize any person’s idea, if suggest writing something of your own that isn’t so short.”
Also, someone gets really weirdly invested in my opinion on their pokescrewing fic.
A response to your review at https://www.fanfiction.net/r/12578112/
I don’t like using the “World” section (and I know where it is and how to use it). Using it limits the reach of readers IMO, and also, I tend to use game/manga characters (like the Executives and the Three Beasts) frequently, given my tendency to sometimes mix “worlds”. So no “World” usage for me ever in any fandom.
As for triggers, ‘abuse’ is specifically mentioned in the summary, but using simply “triggers” equates to just read at your own risk. It’s a blanket term so I don’t have to list everything and waste summary space.
38m agoA response to your review at https://www.fanfiction.net/r/12578112/
Ah, I may have come off too blunt, but I was just stating my reasoning. Please don’t be offended.
secs ago
No worries, but for future reference, you can continue a PM chain with no responses by selecting it in your outbox.
[Using it limits the reach of readers IMO]
Only the readers you don’t want. By default, the archive shows all worlds. The only time it comes up is if you’re purposefully searching for something or filtering it out. The games, manga, and anime are effectively different works, and just because someone is familiar with Pokemon in general doesn’t mean they’re familiar with all of them. It’s courteous of you to help them filter out stories for works they’re not familiar with.
I mean, why aren’t you also posting your story to the Digimon section? Isn’t that also limiting the reach of your readers? It is, but you do it because it’s not Digimon fic.
[using simply “triggers” equates to just read at your own risk]
That’s still very unhelpful. There are lots of people who are fine except for one specific trigger, and it’s unfair to make them either risk it or completely avoid tons of stories that won’t trigger them because they can’t be sure. Unless it’s a major spoiler, you should list specific triggers.
secs agoI accidentally created a different PM message, when I was trying to continue the PM message chain. It’s no biggie. It happens.
And yet I haven’t yet found readers I don’t want -when it comes to reviews, I usually get people who somehow managed to come across my stories and end up trying it. Hence, why I don’t even bother with the World thing. I’ve never and haven’t ever found anyone complaining about it, so… (shrugs) I haven’t actually met anyone who actually cares until now, but if it’s such a big deal…
As for the triggers -that I debated on, but I did wanted to keep the abusive relationship as almost a surprise until it happened in-story. I did cave with the summary, but I’m still now debating either way with that, and I already even added ‘semi-graphic violence’ at the top of the chapter from the beginning. I don’t know what else to explain the trigger warning for.
A response to your review at https://www.fanfiction.net/r/12576886/
First of all, thank you for leaving a review on my story.
I know you probably have a lot of people react indignantly to your point about that capitalization of pokemon and their names, but I actually agree with you. Pokemon is capitalized in the real world because it’s the name of a brand, and while the games capitalize it, they also sometimes terms like “Trainer” and “Gym Leader” which have no right to be capitalized. So, why did I do it then? I don’t know. It’s kind of a bad habit. I’ll fix it along with the other formatting errors in a little bit.And I’m going to be honest, I’ve struggled a lot with writing Lusamine’s character. While there’s arguments I could make here, I do agree that, even removing the element of nihilego’s toxins, her praising Lillie right after the events of Sun and Moon for standing up to her is a jarringly sharp turnaround. I have plans for how to fix this in later chapters, but it might be useful to note that the exchange you quoted was even more out of character and downright bizarre in earlier drafts. (Not that that’s any excuse.)
Dear St. Elmo’s Fire,
Thank you for the review you left me! The criticism you gave me is exactly what I hoped for in a review. To address the lines separating the author notes from the rest of the story, I did have them when I copied and pasted the story into the document manager, however when I published them, they weren’t there anymore. Your tips on writing dialogue is going to help me improve on that aspect of my writing immensely. I wasn’t really sure of how to properly format dialogue, and was going off how other fanfic authors formatted theirs. Now that I’m reading the line about Ampharos mega-evolving, you’re right that it didn’t make too much sense logically. To address the part of the asking questions, that was Gold wondering about the dream, but I understand where you’re coming from in the redundancy of asking those questions. I also have to agree with you on starting the story off with the character waking up for the day. It was a boring and cliche introduction to the story. To address your final point, I do have a plot in mind (albeit a very rough plot), but the obtaining the badges is more of a subplot if anything. The beginning of the story will focus on getting the first badge, but after that they are more of a sideplot if anything. I read the link that you sent me and I can see why most OT fanfictions fail too, as it is pretty difficult thinking about new events to add that are exciting and sets it apart from the generic storyline from the games.
All in all, the points you made in your review were very valid and helpful to me as a writer. Thank you for taking the time to leave a well thought out review. If there is anything else that you think I do well or need improvement on, don’t hesitate to tell me!Sincerely,
Shaodic
A response to your review at https://www.fanfiction.net/r/12579659/
Thank you soooooo much for telling me this. But I do have some comments especially on the capitalizing thing.
You see I did take into consideration that capitalizing fennekin would be just stupid. But I also took into consideration that you HAVE to capitalize something when your calling it that said name. For example if you were to say ‘the mom’ it won’t be capitalized but if you say ‘hey Mom’ it will be capitalized. But in this case its ‘hey Fennekin’ instead of ‘the fennekin’. I’m sure your aware of this so just for you, I will go back and look through the story for these mistakes again. Oh and another thing! The problem on the summary is mostly not enough space to write what all I had on my mind. And since I had extremely limited space I didn’t want to give the entire story away in one sentence.
The key is here to stay though because there are two different reasons. One being I didn’t want ANYONE getting confused. The second reason is a bit complicated. You see I wanted to use the bold as thought because well the italicized was going to be used later on with chapter 2 which is about to come out almost done with it. I’m using the italicized as putting an accent on something. So like if you were to say ‘Oh excuse me!’ it just sounds dead inside. But in chapter 2 I will tell everyone that italicized will not only be used as location. I will use it as accent too. Last thing, this is about the “Forbidden” factor about this story. And this will also happen in chapter 2… Well actually I’m not gonna spoil it for you. You yourself will have to see what happens in the beginning scenes. And the other characters that “forbid” this love will come in future chapters. I’m not gonna say when they do. All of this is an effort to get the readers attention. I’m using this to hook in so that you will come back for more. Think of it as like your watching an anime an you watch the opening of the show. As you listen to this epic music your being showed all these unique and cool characters. It makes you want to keep watching that anime to see what happens. It keeps you coming back for be honest it’s psychology 101. Actually I have another thing to talk about… Zane and Ruby pairing… You see at the moment Zane only thinks of Ruby as a pokemon that can talk. That’s it. But after a couple of chapters he will warm up to her and, again, something really important happens in the beginning scene. And again, I will not talk about it because you have to see for yourself.
It’s not like I went into romance guns o blazin I took many things into consideration. But that one incoherent part in the beginning was my fault, I will say that. But anyways your point DEFINITELY crossed my mind. But I have to cater to other viewers that really enjoyed this. Can’t please them all am I right?
secs ago
[But I also took into consideration that you HAVE to capitalize something when your calling it that said name. For example if you were to say ‘the mom’ it won’t be capitalized but if you say ‘hey Mom’ it will be capitalized. But in this case its ‘hey Fennekin’ instead of ‘the fennekin’.]
Yes, I know. I mentioned this in the explanation. But this isn’t what you did. Just in your summary, you have the sentence “Zane Ashtin is now a Pokemon trainer and is ready to embark on a new journey.”
In general, I would recommend giving pokemon actual names. Not only because it avoids confusion with this, but because it’s silly to name your dog “Dog”.
[I’m using the italicized as putting an accent on something.]
That’s how everyone uses italics. You can still use italics for thoughts without confusion, because thoughts won’t have any quotations around them and will therefore obviously be thoughts.
Anyway, look, here’s the thing about the romance.
You’re right that you can’t please everyone and that this is a niche subject. You are never going to please me on this, as I’m not into bestiality. But I don’t mind its existence as long as you understand what you’re doing. If pokemon are fully sapient, training is slavery. Pokemon are literally bought and sold, have their movements restricted through pokeballs, and are expected to obey their trainer’s every command. Under that model, a trainer/pokemon relationship can never be a fluffy, wholesome romance. It becomes some kind of dominance fetish master/slave relationship with heavy consent issues, as a slave cannot say no to the master. If you are aware of that and that’s your kink, that’s okay! But it’s very upsetting to a lot of people, so you should probably be up-front about that being the kink to start with.
Because of all this, if you *do* want this to be a wholesome romance, you have your work cut out for you. Zane has to see Ruby as a person and release her from his service so she can meaningfully consent to a relationship. If that is what you’re planning, then go ahead. But if you don’t do this, from an objective standpoint your fluffy romance is going to look like someone raping his slave, which I doubt you want.
It’s come to my understanding that you don’t exactly take interest in this fan fiction mostly because it’s “Bestiality”… Whoa… Hahaha that’s a funny word… Oh boy is it me or is it getting a little hot in here? And look I tried making it as humane as possible by giving Ruby a voice and a name. Because believe it or not I’m not exactly into “that” either. In the anime, Meowth can speak too. And well guess what he has no pokeball, Jessie and James are like best friends to him for life, and they treat Meowth as if he was an equal. This is a big deal. This is what slowly is going to happen to Ruby over time. Zane is going to trigger a certain event that will lead Ruby to where she will not be OWNED by Zane anymore. She will stand alongside him as EQUAL! And then at that point who wouldn’t fall for her.
See I’m not going to give up getting you to enjoy this fan fiction because frankly I think I could do better. I know I can become a great writer. And my determination will never stop until I please you and even then I will push forward to write great things. Oh and there will be complications with each other. As you might know Ruby has a secret and a bad history with her parents.
By no means will this become a rape situation at ALL. This will not happen. But I can’t spoil anything for you. I have soooooo many plans for Zane and Ruby that this will be one diverse fan fiction that in time I know you will love because everything your telling me… Well guess what? It’s already planned out. She will be equal, she will notice him, and he will notice her. You see? It’s all an elaborate plan that took EVERYTHING into consideration. Zane’s age. Which region should I use. What will be Ruby’s name. I had it all planned out to begin with. I even picked out some of the most humane pokemon I could find. All have to meet requirements. Are they bipedal? Are they pretty? How do they act? And then there was a showdown between gardevoir and delphox. Well let’s just say gardevoir didn’t last too long because… well… There are TOO many fan fiction about that concept. So immediately delphox was the winner.
I’m trying my hardest to make this story the best of it’s kind. A story that doesn’t have freaky bestiality. A story that isn’t basically raping your slave. I wanted to make this story all of these things because I knew people like you would say something. But there was a bit of fault on your part because you judged a little too early. You should have given it a chance.
Going into this I was already an amazing writer. I got A’s in my writing and english classes all the time. I was the best in my class. But I don’t think I was prepared going into fan fiction. I thought I was going to please everyone with the greatest romance story. A heart felt story with so much diverse content. It would make you want to cry.
So I ask you with every drop and ounce of determination in me. Please favorite this story and over time I know I can please you too. You just have to give me and this story a chance. A chance to become a story that people can enjoy.
Well, it’s good that you’re thinking about this at least. Good luck.And I’ll even let you have a hand in what happens in the far future of this fan fiction. For example, I’ll ask you which event should happen first, to choose between 2 different events, or choose how the event happens. That’s mostly what this fan fiction is all about. Certain events triggering others to happen. Right now I’m brain storming whether or not the man Zane saw in his dreams is fake or real.
I’m sorry, but truthfully, I don’t care much for romance stories to begin with. You should alert me when you get to the point where their relationship is fully established, if you are still interested in my viewpoint by then.
Oh but uh, you really shouldn’t leave major plot points up in the air while you’re still writing. If you don’t plan in advance, you’ll trip yourself up. This has a cautionary tale about it: https://www.fanfiction.net/topic/11834/143363660/1/Actually-Writing-an-OT-Fic-Part-2
IEatYourSoulA response to your review at https://www.fanfiction.net/r/12579443/
I see where you are coming from.
Could you pick out the areas where you found the errors. I can’t fix them without knowing where they are.
Thanks for your import.
Would you like to be a beta read for me? It would help.
I’m too busy for beta reading, but you can ask these people: https://www.fanfiction.net/topic/11834/42724996/1/Beta-Signup
And the errors were everywhere. This wasn’t a single mistake, you just don’t know how to format dialogue in general. Hopefully you have a better idea now. If you couldn’t follow my explanation, there’s a better one here: https://www.fanfiction.net/topic/11834/21887406/1/Writing-Guide-Part-One-Grammar
I know you are trying to help, but you’re wording is as if you just insulting me.
No, I’m not. There isn’t any room to debate or mince words here. You objectively lack this knowledge. You don’t have to feel bad about that and I’m not going to judge you for it, but if you want to improve your writing, you need to learn how to do this.Blocked! People are whiny.
A response to your review at https://www.fanfiction.net/r/12580757/
Technically speaking Ash and Misty are the same age. The writer for the Pokemon manga and anime series confirmed that she is the same age. Ash was born May 22ed but didn’t get his Pokemon till April 1st the next year, making him almost 11 when he started his journey. Plus it just makes it a lot easier to put down their ages in text instead of writing it into the story. It’s kind of hard to naturally write that in unless it is someones birthday. Pokemon is technically a proper noun in the real world so it is more of a force of habit since it is a brand/franchised game. As for the grammar error I totally missed that so thank-you for pointing that out to me and thank-you for reading my story so far :)
A response to your review at https://www.fanfiction.net/r/12577758/
Hello
It good to see you aswell, old fraind. .
I’m sorry where dispointing you for a third time, but where also exhousted of rewriting the story. If want help by corrctting some of the mistakes as Beta reader, tgen freat. But don’t expect us to through a fourth rewrite, I’m just about half to being liggaly blind from writing on my phone for so long.
Please under stand, I apperciet the review, and both Marth and I wikl take stepps to make this story better. But ask have seen better days and this might very well one of the last stories I write on here or anywhere on the internet, so I’m not going to give up so readiky over a handful of mistakes along the road. Your fire isn’t near hot enough for that.
Arkilos
4h agoSorry about the negative responce before, I was still trying to wake up and didn’t think clearly. I have pencil and note book writing the changes needed to be made.
Though some of what I said before still applies, both Marth and I trying hard to do a good job with this, if you can recommened a beta reader than that would be great.
This thread has some: https://www.fanfiction.net/topic/11834/42724996/1/Beta-SignupA response to your review at https://www.fanfiction.net/r/12578133/
You know for someone without a picture you really put detail into work. I’ll put the changes in but next time just PM me.
A response to your review at https://www.fanfiction.net/r/12574336/
I did notice how some people capitalize Pokemon names and some people don’t. I don’t think there is a specific rule for Pokemon because they’re fictional. I capitalize them because that’s how they are in the games. Thanks for pointing that out, though!
As for Dialga’s gender, I admit I kind of fell in love with Pokemon Mystery Dungeon when I first played it. In those games, though the Legendaries are listed as genderless, when the characters refer to any legendary in conversation they use a gender pronoun. So for me, Dialga, Palkia, Darkrai, and Rayquaza (among others) are male, and Celebi, Cresselia, and Mesprit are female.Thanks for your review.
– Storm
…I don’t know why I’m surprised, but I am. Is there any contribution PMD has made to the fandom that isn’t terrible?
St Elmo’s Fire,
A new review has been posted to your story.
Story: Blood is Thicker than Water
Chapter: 1. Chapter 1
From: Guest
——————-
:your blood is not redder than alcohol you nasty drunk grammar-nazi. go die in hell.
——————-
Where do they come up with these amazing zingers?
HrwinA response to your review at https://www.fanfiction.net/r/12579155/
Hi,
Thanks for your review, it was actually very helpful.
Don’t worry I have a plot, but my main objective is to practise writing about this world I’m so familiar with. I’m also hoping to bring to the table a different approach to the Hoenn region by showing aspects of it you’re not shown anywhere else. I’ll try and release more chapters soon, and hopefully you’ll see what I mean (that is of course if you keep reading haha)
Regards,
Henry
St Elmo’s Fire,
A new review has been posted to your story.
Story: Blood is Thicker than Water
Chapter: 1. Chapter 1
From: Ok so (Guest)
——————-
Ok so:After reading your bio I’ve realized you’re not a complete j***. Still, that’s the impression you give off.
You should include part of that explanation in your reviews, I’m sure people would get less offended.
Also, people are more likely to follow your advice when you know HOW to talk to them. I know you don’t like to sugarcoat things, but the way you express yourself is really discouraging and rather ineffective either way.
I’ve lost count of how many authors don’t update again after receiving a review from you or from Farla. I bet you both never check on the authors again and have no idea how many stop writing in part thanks to you.
I’m not telling you to give people undeserved praise, but you should CHOOSE your words more carefully so you won’t look like an entitled troll whose underlying message is “HAH! I know how to write and you don’t, you ‘lil s***”. Yes, that’s the message I get from your reviews… and I’ve never even received one myself lmao.
——————-
Also, I found out that someone did the thing where they responded to my review by editing their author’s note, because they’re an idiot:
Jordanzz
St Elmo’s Fire I appreciate the review but I’m taking most of it with a grain of salt as most if not all of the things you said that weren’t grammar related answer themselves if you read the story. The POV thing has always just been there with me since I started so that isn’t leaving and for this story being ‘normal’ but with humans replaced with Pokémon, you’re right. It totally is but I don’t care at all so go criticize someone else’s story for doing the same exact thing. Look at every high school story ever made. That’s the same thing, yet you do nothing. So thanks, I hope you enjoy the rest of the story of you ever read it again friend. Since I forgot to put this down, the quotations are indeed dialogue wherever they are. Not thoughts, thoughts would be normal words as I use italic for telepathy only.
secs ago
Why on Earth are you responding to reviews by editing the story itself? I don’t get a notification when you do that, and it’s incredibly awkward to people reading the story. If you want to talk about something, you should talk to the person directly.
[most if not all of the things you said that weren’t grammar related answer themselves if you read the story]
I’m very intrigued, but I did read the whole chapter and didn’t get any answers. Could you point these answers out to me, please?
[Look at every high school story ever made. That’s the same thing, yet you do nothing.]
I do in fact tell every single high school fic I see the exact same thing. Maybe do a bit of research before making sweeping accusations.
I’m going to ask you more directly: Why did you choose to tell this story in the Pokemon universe and not your own? I see nothing about this story that is incompatible with an original low fantasy setting, and your story would be a lot better if your readers didn’t have to keep wondering how quadrupeds are holding things.
3h agoI’m an extremely lazy person and I knew you’d check back on the chapter so I put it in that rather than a PM because I was already working on fixing a few things. Besides, you saw it so no need to complain.
Explain to me of how one can research what another person says about other fanfictions? Just go to every single one and look for you in there? An extreme grammar nazi who looks for every little thing?
And for your final question, it’s because humans are boring. You get nothing from them. What can we do? Just point a knife at someone and yell to get what we want? Why be boring like that? Nobody wants to read a story with nothing special going on and you know that. So before you criticize any person’s idea, if suggest writing something of your own that isn’t so short.
Besides, if you don’t like it. Then don’t read it, it’s not that fuckin hard mate
secs ago
[I knew you’d check back on the chapter]
No, you didn’t. I only checked back through happenstance, and I miss tons of these off-the-record responses. If you want to communicate, you should do so in a way that gives me an email notification.
[Explain to me of how one can research what another person says about other fanfictions?]
Well, you tell me. You’re the one making claims about me. If one is too lazy to do the research, perhaps one shouldn’t make baseless accusations.
[And for your final question, it’s because humans are boring.]
Then why are you writing about them? Why are you writing pokemon society completely identically to human society? A very specific subset of human society, at that? You can insist they’re pokemon until you’re blue in the face, but saying something doesn’t make it true. You’re writing about humans with pokemon powers, i.e. a generic swords-and-sorcery setting.
Seriously, pokemon do not have opposable thumbs.
If magic humans are too mundane for you, there are a host of fantasy and science fiction races you could use instead. Make them elves or orcs or demons or aliens. Heck, high fantasy races in a western setting could actually be interesting.
[Besides, if you don’t like it. Then don’t read it]
Believe me, if there was a way to filter out all original fiction on this site, you’d never have to hear from me again. Unfortunately, I can’t avoid seeing stories like these continually clutter up the category and make it harder to find the stories I actually want to read.
Blocked!
Unless it’s a major spoiler, you should list specific triggers.
This is an interesting problem inherent to web fiction, isn’t it?
Generally my feeling is that there’s no reasonable expectation of trigger warnings in fiction, whether it’s a novel or a video game, and part of it is definitely reason the author cites — they can be huge spoilers. The onus in these cases, IMO, is on the reader to do their research if they have concerns, and rely on reviewers to flag content, not the author.
But the casual, episodic nature of webfic means that it’s expected that the author be consistently communicating anyway, and it’s very easy to add a note at the chapters that start the tricky content, at a point where it doesn’t have a huge effect spoiler-wise and there’s no risk to breaking immersion since it’s serial anyway. The author still has to make some judgement calls, but it’s a safer medium in general. That said, I think it’s still a valid decision to not want to break the flow of the story, especially if it’s not by an author who does communicate in between chapters.
I think I’m on the author’s side here, that a general ‘disturbing content warning’ is a reasonable compromise between wanting to give people a heads-up and not wanting to give anything away. It becomes less reasonable the more involved the author is with readers in between updates, but I’m too lazy to look up that context here.
I think AO3 makes it easier to do unspoilery trigger warnings because you can put them in the end note at the bottom of the chapter and have the top note say “warnings in the end note.” Then people can just click down if they feel they need to be aware of warnings and nobody else gets spoiled for what’s in the chapter.
They’re not always used, and they don’t cover all triggers possible, but AO3 does have about a half-dozen trigger warning type tags, that an author can flag a work with, and have them appear in bold at the front of the tag list. I know rape and graphic depictions of violence are two of them.
But, then again, so is “major character death”, so…
The other nice thing about AO3’s standardized archive warnings is that they give you two built-in options for using them: tag your work with whichever ones it contains (or “No Archive Warnings Apply” if applicable), or tag it “Author Chose Not To Use Archive Warnings”, in which case the reader can consider that to be a blanket warning that it might contain any of those four standard warnings without the author having to warn for them if they don’t want to. That plus the option to use freeform tags or author’s notes for additional warnings/end notes for spoilery warnings makes it pretty easy to warn or not warn however you want without sending mixed messages about which you’re doing.
Yeah, Choose Not To Warn is a useful and non-spoilery “Here Be Dragons”.
That’s a good system.
I imagine is also keeps it both easy to find and out of the way, as opposed to FFN’s c. 1980 layout which requires you to detail warnings in any of several obvious, obstructive spots, as opposed to in a dedicated location where it flows nicely with the design of the fic itself.
Honestly, the primary reason I decided to make an AO3 account for some inexplicable reason, and not a FFN account for some inexplicable reason, was that AO3’s site design wasn’t older than the bible.
It’d take a lot longer for me to filter out all the terrible A Song OF Ice And Fire fanfiction if I couldn’t just skim the tags for “Jon Snow/Sansa Stark” and “Alternate Universe- Modern Setting”.
Too bad that’s practically the only thing that site has over FFN, it seems.
I completely disagree – you could do that, and that’d work (with the risk of accidentally reading the end of the fic), but it means working against AOOOOOOO’s structure, which is completely backward in both the spoilers and triggers sense. It strongly encourages you to put that (and everything else) in the tags, which it then shoved in your face and nearly impossible to skip, and requires you to publicly categorize it according to certain types of warning – if you want to warn without any spoilers and your fic hits any of the standard ones, you have to pick that you’re choosing not to warn, then tell people that you are, in fact, willing to warn but not by using the standard system everyone else is using.
The thing is, people should almost never need to see trigger warnings in any archive with filtering capability, which AOOOOOOOO supposedly is. Either something is a trigger of yours, in which case fics containing it should be automatically removed from any search you do, or it isn’t, and you don’t need to know. (It’d also deal with the fact if something’s upset enough to be triggering, even seeing a bunch of summaries can be an issue.) And the warnings-double-as-advertisement argument, while valid, misses that there’s a difference between deliberately searching for X and wanting to always know if a story contains X. This is especially bad in combination with the rest of the spoilery garbage tags, because when you have twenty pieces of information about what the story involves, you can probably put them together even if none of them would’ve spoiled things on their own.
(LJ-fic’s system of hiding content warnings with black boxes at the top of the fic is probably the second best option behind actual filtering, so naturally you can only do so on AOOOOOOOOOO by writing a pile of code yourself and it doesn’t even work reliably.)
I feel like a good solution to the issue of spoilery trigger warnings would be to create a panel for them that is hidden by default but can be viewed with a click of a button (or, for published works, have a page dedicated to them at the back of the book). There still would be an issue of having concerns about some matter, looking up warnings to see if it applies here and being spoiled about an entirely different matter that doesn’t concern you, but you run the same risk doing research on the work and reading reviews.
This might just be my ignorance in the nature of spoilers (as I am pretty much immune to them), but… how exactly would someone be spoiled by a page like that? I feel like I’m missing something that should be obvious from context from the reading of this.
It depends heavily on context. In a lot of works, trigger warnings are not really an issue any more than a summary. In others, however, it could be that the outcome is not clear from the start, but a tw would make it clear.
Like, if you have a character struggling with severe depression, and a trigger warning reads “suicide,” well, now you know how their story would end, which was not necessary obvious otherwise.
Then there are works that subvert readers’ expectations, starting as one genre and gradually morphing into another (like, say, PMMM) where trigger warnings would give the twist away.
Then there are works where trigger warnings are not necessary spoilery, but a shrewd reader would be able to deduce that “cannibalism” + setup = main character eating their life interest to survive at some point.
It’s all rather case-by-case stuff, though.
Hm, I guess that makes sense, to an extent. But in the first example, a suicide trigger warning doesn’t exactly mean that the character commits suicide. It could just mean that the character considers it. It’d still merit a suicide trigger warning, but the trigger warning’s presence doesn’t say whether or not the character decides to actually go through with it. The same goes with the cannibalism example.
Some people use “depiction of suicide” and “discussion of suicide” as separate warnings, actually, and it’s those specific warnings that are the most spoilery.
As for the last example, that’s the point: the warning by itself isn’t necessary spoilery, but someone who reads a lot of stuff in the genre and knows how it functions would be able to predict the plot based on limited information.
The bottom line here is that it’s not hard to put warnings in some kind of panel (forum format generally allows for spoiler blocks, for example), so there isn’t any particular reason not to do it.
Some people use “depiction of suicide” and “discussion of suicide” as separate warnings, actually
Okay, I could see how that would be a spoiler, but it also seems a tad overly specific. Are there really people who can read an entire book about someone considering suicide, but if they actually go through with it, only then are they triggered? Is there a reason “suicide” doesn’t suffice as a trigger warning for both of those things?
it’s not hard to put warnings in some kind of panel, […] so there isn’t any particular reason not to do it.
If such a panel exists, sure. But AOO doesn’t have such a panel, to my knowledge.
But, even if there was such a panel, I would still have a problem using it. I don’t mean that to say I would dislike using it or refuse to use it on some sort of principle or something, but I would just… have a very hard time actually using it to tag my works. I have about as much personal experience being triggered by problematic material as I do having stories spoiled by spoilers. How am I to know what might be triggering in my work if it’s not blatantly obvious?
Of course, if I write a gruesomely graphic murder or rape, that’d be an obvious trigger warning. But I don’t write that kind of stuff. Unless there’s some kind of massive checkbox list of all possible trigger warnings (like what AOO has for its current bold warning categories) that I could scroll down and think “hm, could this at all describe anything in this work?”, it’s almost certain that whatever triggering material I’ve written is such a low-key trigger that the only way I’d think “oh, this could trigger someone” is if someone told me they were triggered by it.
So, even then, it’s not a perfect system. It’s better than absolutely nothing, of course, but for the first people who read it, it might as well be nothing. What would you suggest I do in that situation? Should I just rely on the first wave of readers to tell me what I missed, and add the appropriate tags after the fact? Is there any other better solution to that?
Are there really people who can read an entire book about someone considering suicide, but if they actually go through with it, only then are they triggered?
Yup, I’m one of them. Though I think a general ‘suicide’ warning is perfectly fine. Life is risk.
I disagree. When I see a tag I automatically assume that that is going to happen to the prota. Or when I’m reading the story, I keep wondering who will commit suicide, at the minimum clues of someone depressed or opressed or acting overly happy, I call suicide.
I don’t read a lot, but those kind of trigger warnings do ruin surprises.
Yep, I’m one of them.
Huh, okay. I legitimately didn’t expect people like that to exist. I’m kinda at a loss for words now. There are so many questions I want to ask, and each one is (probably) more insensitive than the last.
Life is risk.
I think this is why I just don’t comprehend trigger warnings from a personal perspective. I can’t imagine having a story “spoiled” by knowing what’s going to happen later in the plot, let alone what it must feel like to be so upset by reading something that you need a warning to tell you not to read it before you even start. If I read something, and it gets to something I don’t want to read, I just stop reading and that’s the end of it.
There are so many questions I want to ask, and each one is (probably) more insensitive than the last.
I can try my best to answer, but a lot of it boils down to ‘brains are weird.’
let alone what it must feel like to be so upset by reading something that you need a warning to tell you not to read it before you even start.
Well, it’s not a questions of ‘getting upset.’ It’s that conjuring up images and ideas related to severe psychological episodes can actually cause your brain to enact those psychological episodes (this is an effect that in benign forms is known as ‘priming’ and helps us think on our feet). So depictions of people offing themselves, for me, has a high potential to trigger a suicidial episode; depictions of people using eating disorder behaviors can trigger a strong desire to use eating disorder behaviors; etc. I’d… rather not have to deal with sudden, severe onset of those things, so it’s generally in my best personal interest to avoid media that depict them.
Trigger warnings get tricky because they can literally be anything. General warnings (rape, suicide, ED, graphic violence/abuse) can have a myriad of subtle manifestations, such that, say, purging behavior but not binging behavior could be an ED trigger. And then beyond that, there’s the fact that triggers are, in their basic form, strong associations, and as such can take the form of anything your brain has decided to associate with a traumatic psychological episode.
That’s why I think there’s no reasonable expectation of triggers. It’s very nice of people to warn for the common, general ones — seriously, it’s considerate and I always appreciate it — but you could spend a lifetime cataloging them all (indeed, psychoneurologists do), and there’s absolutely no way to account for, say, the fact that I have a disproportionately violent psychological reaction to dead/injured dogs stemming from my brain’s association of my dog with psychological safety. I would and could never expect anyone to warn from that.
My responsibility as an adult human is to look out for myself, avoid media that seems like it could have that trigger, and bail on stuff that looks like it might (or, alternatively, push through and deal with the consequences).
Part of healing from any illness is learning how to return to normal, independent functioning. For mentall illness, learning how to modulate your exposure to your own triggers and utilize your own resources to do so is part of that. I routinely ask my husband to screen things for me and read reviews on sites that take care to use common warnings (I also highly rec doesthedogdie.com!).* But I would never expect an author to be responsible for comprehensive trigger tagging, because it’s incredibly unreasonable to ask given the breadth of triggers, and beyond that, they’re not anyone’s doctor or caretaker. Also, sometimes people just forget.
*I would argue that reviewers have more an obligation than authors do, actually, since it’s a given they’ll discuss content and strong reactions.
Wow, this is a lot. I wasn’t expecting this. Um, let’s see here…
Well, it’s not a questions of ‘getting upset.’
When I used “upset”, I was thinking about when people have more minor responses to triggers. Like… getting anxious over something versus a full blown panic attack. I think I’ve mentioned this once before, but I have OCD (like, actual OCD, and not just “oh, I’d rather things be at right angles” OCD), so when I think of responses to mental illness, I tend to think of it in terms of anxiety spectrum disorders.
There are some things I can’t read about without getting anxious and wanting to check things because what if everything’s gone horribly wrong but it generally abates in due time if I just stop reading the thing that’s getting me anxious (especially now that I’m on medication for it), so I don’t personally really need trigger warnings because of it. And, in the specific case of OCD, immersion therapy is one of the major ways to try and break through it. If I didn’t read something just because it made me anxious, well then, that’s just one more thing I can’t do because of OCD. And there’s a lot of stuff that I can’t do because of my OCD already.
I think this might actually explain why, from my perspective, discussion of suicide and depiction of suicide would trigger the same response but why that’s not the case for you. Which was actually the first of my insensitive questions. Though, even if it isn’t the reason why exactly, I think it’s close enough a parallel that I understand now. So I’m going to consider that question answered.
Come to think of it, this whole thing is a discussion of… well, a discussion of the discussion of suicide, isn’t it? There have been times (mostly in the very beginning where I knew I had A Thing but not OCD) where I’ve gone “urgh, talking about this is just making me focus on it and work myself up, so I’m going to change the subject”. Yeah, I definitely think I get the difference now.
Trigger warnings get tricky because they could be literally anything.
This, I know all too well. Absolutely none of the things that make me anxious are things I would ever expect to be tagged as trigger warnings. For 99.999% of the population, they’re not even a touchy topic, let alone triggering. It’d be entirely unreasonable to want people to tag things that make me anxious.
purging behaviour but not binging behaviour could be an ED trigger
If I wrote something with either of these behaviours, I’d probably just be safe and pick the most blanketing trigger warning, which would be “eating disorders”. The people who purge might miss out on reading my story about someone who binges, but I’d rather err on the side of caution. That’s what trigger warnings are for in the first place, aren’t they? Cautioning.
I would and could never expect anyone to warn from that.
Yeah, this is exactly what I feel with my anxiety-generators, though to an even more extreme degree. I can see why dead and injured dogs would upset you on a logical level, even if it doesn’t trigger the same traumatic response in me (though, obviously, I prefer my dogs alive and uninjured), but I wouldn’t even expect you to understand why half the stuff that makes me anxious does even if I explained it to you. They’re probably things you do dozens of times a day without even realizing it. Hell, you’ve probably pet your dog today. I honestly don’t think I could do that without triggering my OCD.
Oooh, actually, I think that’s when I mentioned it. I said something once about how Lillie, in the Pokemon Sun and Moon anime, can’t handle touching Pokemon. I could totally relate with that type of anxiety. Her narrative arc, and Mallow’s attempts to help her with it, are 90% of my enjoyment of that anime.
learning how to modulate your exposure to your own triggers and utilize your own resources to do that
This is actually why I don’t like spoiler warnings. I totally get using (common) trigger warnings (like suicide, rape, or eating disorders) because I’m not a dick, but when someone yells “SPOILERS” at the first hint of talking about something they haven’t personally experienced, I just can’t. And yet, some people treat spoilers with the same seriousness that people treat suicide and ED trigger warnings.
But then again, I’ve seen some very unreasonably prickly people when it comes to spoilers. I have literally had someone yell at me about spoiling an episode of an anime for them… about thirty episodes before the episode they were on. As, an episode they had already seen. Months ago. And on top of that? The “spoiler” was something like “the good guys win with the power of friendship”. He was watching an anime adaptation of a long-running shounen battle manga.
People seem willing to declare something is a spoiler even if they don’t know if it’s a spoiler or not. Even when I, as someone who has seen the part it could possibly be spoiling, knows it’s not a spoiler. So, no dude, telling you the good guy wins with the power of friendship is not a spoiler when you’re 75 episodes into an anime and literally every fight in those 75 episodes has involved the good guys winning with the power of friendship.
That experience has lead me to a hobby of describing things in ways that, while technically totally accurate, are not at all representitive of the story. Like, as a random example, “Game of Thrones is the story of why you shouldn’t fuck your sister”.
I’m not sure what’s more impressive: Your ability to read all these pokescrewing fics without flinching or your ability to read these longwinded explanations as to why it’s not weird to want to screw pokemon. Either way, I am concerned for you.
…
Okay no, having actually managed to read through that longwinded explanation myself, that was definitely weirder than his wholesome romance with a three foot tall fox-person.
I don’t know why I am surprised, but I am.
… Dude. Having not played a Pokemon game at length since LeafGreen, having never seen a Pokemon Mystery Dungeon game, and having no greater contact with the Pokemon fandom in my entire life than the few months I have been commenting on this blog… I am totally and completely unsurprised by this response, and am completely clueless as to how you can be.
You give me far too much credit. I don’t read them thoroughly.
Well, PMD is a blind spot of mine since I’m so unfamiliar with it. Fandom had a history of gendering the legendaries long before PMD, so I thought it was just an extension of our desire for gendered pronouns rather than stemming from a specific source.
You click them. That’s more than I could bring myself to do if I was you.
St. Elmo’s Fire, reading shitty fetish niche fics so you don’t have to.